Images of the glass, and the special exhibition on the North side, in King's College Chapel, Cambridge, England. The light in the interior of the chapel is in fact very strongly orange in colour at most times: if one corrects that colour-cast to correspond more nearly to what our eye-brain combo thinks it sees, namely stonework of a somewhat dirty beige, the tints in the windows are thrown off. So for some images of the glass I have left the colour-cast uncorrected. In case you wonder, photography is not forbidden by the many notices, just flash photography.
This IMAGEKIND fine art site is a place where a fine giclée print of any available image, photography or painting, on paper or canvas, may be ordered at up to poster size, framed and matted in many different combos ready to go, or just by itself. My preferred paper recommendation is Epson UltraSmooth Fine Art. It costs more, but is very thick and super-archival.
Whoever does your matting and framing, the materials including the backing should be at least of conservation grade, preferably of 100% rag i.e. cotton.
Hang your print well away from moisture, fumes, heat-sources and UV-rich light, e.g. the sun, strong spotlights and fluorescents.The glazing should be anti-UV, to maximize the life of the print. Acrylic plexiglass as offered here on Imagekind which is not explicitly anti-UV screens out 80%. This is more UV protection than plain glass affords. Anti-UV plexi screens out 99%. You should be aware that non-glare glass or plexi increase visibility but reduce contrast.http://priscillaturner.imagekind.com/iwasthere11a/